It never came to fruition, however, and “Merry Christmas 2116” might have stayed dormant until at least 2116 were it not for Steve Josephson and his Gallimaufry group.
Josephson has directed and choreographed the hourlong show and also plays a supporting role.
With Bradbury’s book and lyrics and a musical score by John Hoke, “Merry Christmas 2116” is a Twilight Zoneish glimpse into a future imagined back in the 1950s, with Josephson’s robotic ballets playing a crucial role in the story.
The primary characters, played by Rob Harryman and Lisa Morrice, are celebrating their 40th wedding anniversary, and both are concerned over how each spouse eventually will function without the other. Enter the mysterious Mr. Marionette (David Stoneman), who offers each of them a younger, more energetic robot companion (Josephson and Jessie McLean). But is a younger partner really what either oldster desires?
Performances are splendid, with the robots (including Samantha Marcella, Christine Reese and Anthony Scarano) often stealing the spotlight. Their balletic acumen lends a futuristic aura to Bradbury’s spare but solid story.
Josephson’s intricate choreography and Darlene Krantz’s clown-like makeup, along with Sarah Schuessler’s costumes and Gregg Barnette’s various wigs, give Bradbury’s story a delicious atmospheric boost. J.W. Layne’s setting serves multiple purposes, highlighted by the lighting effects of Stuart A. Fabel.
“Merry Christmas 2116” is just an hour in length, but it’s well worth the visit as an occasion to sit in on a piece of theatrical history.
